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- <text id=90TT2921>
- <title>
- Nov. 05, 1990: Winner
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Nov. 05, 1990 Reagan Memoirs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 94
- Winner
- </hdr>
- <body>
- <qt>
- <l>POSSESSION: A ROMANCE</l>
- <l>by A.S. Byatt</l>
- <l>Random House; 555 pages; $22.95</l>
- </qt>
- <p> This novel comes to the U.S. trailing clouds of glory. On
- Oct. 16 A.S. Byatt's Possession won the Booker Prize, Britain's
- most ballyhooed and prestigious literary award, for the year's
- best novel, beating out works by such well-known nominees as
- Brian Moore, Beryl Bainbridge and Mordecai Richler. Three days
- later, in Dublin, Byatt picked up the Irish Times/Aer Lingus
- international fiction prize. The take from both awards added
- up to about $82,000.
- </p>
- <p> Now American readers who know of Byatt, if at all, as the
- elder sister of Margaret Drabble will have the chance to see
- what all the acclaim is about. Literary juries have, of course,
- tossed garlands at turkeys before, but that has not happened
- this time. Possession is a genuine winner.
- </p>
- <p> The plot revolves around two young British academics who
- seem ill suited to adventure. Roland Mitchell does plodding
- research on the Victorian poet Randolph Henry Ash; Maud Bailey,
- a dedicated feminist, is interested in another 19th century
- poet, Christabel LaMotte. (Neither Ash nor LaMotte existed, but
- Byatt creates excerpts from their imaginary poems and journals
- that bring them vibrantly alive.) Roland stumbles across a
- tantalizing fragment of evidence that the respectably married
- Ash and the spinster LaMotte may have had an illicit affair;
- such an event, if proved, would set the scholarly world on its
- ear. Before long, he and Maud join forces to track down the
- truth.
- </p>
- <p> This journey proves far more exciting than either
- anticipates. Competitors appear, with vested interests in the
- poets' reputations, who want Roland and Maud to fail. What is
- more, the investigators are drawn into a pattern that eerily
- resembles the story they are trying to piece together.
- Questions about Ash and LaMotte become questions about Roland
- and Maude.
- </p>
- <p> Byatt, 54, has acknowledged the influence of Umberto Eco and
- John Fowles on her work, and traces of The Name of the Rose and
- The French Lieutenant's Woman are easy to find. But its
- manifest intelligence, subtle humor and extraordinary texturing
- of the past within the present make Possession an original, and
- unforgettable, contribution.
- </p>
- <p>By Paul Gray.
- </p>
-
- </body>
- </article>
- </text>
-
-